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NathanOtano wrote: ↑

29 Nov 2019, 14:48

I put the "OOP set" on a shortcut so I point where I want with my stylus without clicking, I then press my shortcut and click on the spot I want.

I tried this today and it works for me. I think I will do this from now on. Thanks for the tip.

Ah I understand! Indeed there is no option to keep the whole light table on when you set the first point. It didn't bother me because I put the "OOP set" on a shortcut so I point where I want with my stylus without clicking, I then press my shortcut and click on the spot I want. I guess the only wo...

NathanOtano wrote: ↑

28 Nov 2019, 22:58

when you alt-click on the oop set button, you should be able to activate and deactivate the option of seeing or not the lighttable.

I see the options when I alt-click , but no matter what option I set it for , when I click on OOP Set the light table is turned off .

Yeah my tool is always used on a "roughed out inbetween" (even just a point, or two points if you rotate/scale). Sometimes I don't draw my inbetweens, I just click with my tool where i want my inbetween to be then on the two lighttable images and everything is at the right spot. I think it's far ea...

I thought this was another very interesting idea for improving OOP : http://www.tvpaint.com/forum/viewtopic.php?f=11&t=10766&p=101196&hilit=peg+rotation#p101196 but because of the limitations of scripting not yet working optimal. Nathan's "OOP Set Points" is what put me on the track to think it mig...

(i personally dislike Toonbooms OOP because it is much less direct, you have to do a number of steps in selecting the frames etc.. whereas in TVP you simply click the frame you want to adjust off pegs and you have instant control) It's better in Harmony v17 . You no longer have to do that extra ste...

I wonder about that , too. High profile project made with TVPaint , looks great , well-reviewed, renewed for a 2nd season (I just read about that today ... congrats , Hisko , and Peter, and anyone else involved ) . I notice there was some mention of UNDONE on TVPaint's Facebook page: https://www.fac...

Revert to 11.0.8. Many Mac users reporting issues with version 11.0.9.

See:

https://www.tvpaint.com/forum/viewtopic ... 10&t=13017

By the way, I think some version of what Slowtiger wrote and illustrated in his explanation of the process needs to be included in the user manual . (with the running character currently shown in the user manual , but adding some screen captures to cover the step of blocking in a rough inbetween.) ...

- it will not improve line quality of the inbetween because it will be rotated/scaled in the end, thus giving you the same quality as with using the transformation tool. That is my main issue with implementing David's idea (which is not a bad idea imo, as it offers another option to do inbetweening...

I have Do Not Disturb set on Notifications , but this issue persists. No matter what I set it to in Preferences my cursor randomly turns into an arrow. (in Preferences I can't even get the option "circle" to show up . If I set it to circle it still shows up as an arrow.) Over time I got tired of fig...

Thanks for pointing out the flaws in what I'm proposing . I will admit that I may be full of crap on this request and it's a request born of the false notion of fixing what is not broken. I thought it was worth bringing up as a feature request . It would be great if a TVPaint developer could step in...

The inbetween (the "0" drawing in the lighttable) is always in position and can't snap anywhere, not even back, because it never leaves that position. It doesn't move. You can only move the existing drawings before and after that, and only they can snap back. I think this is the point where your th...

The thing is that the inbetween is already in its correct position when you have put both outer drawings off the pegs. YES , but ... what I'm requesting is that the inbetween drawing, which is already in the correct position (because of the peg hole symbols embedded in it) would always snap back to...

When I do inbetweens, especially those with wide spacing between frames, I first indicate the inbetween position of the character/object, just top and bottom, or a circle for the main mass. This way I mark the path of action and the spacing, before I shift anything off the pegs and do the clean stu...